Sunday, 24 December 2023

The power, the hero and a Christmas wish!

 Week Ending 29th December 1973


Tis the season to be jolly and if you were a kid in 1973 this week's three Marvel weeklies would make the time waiting for Father Christmas to enter your chimney and deliver the goods every child wanted fly by quicker than a reindeer pulled sleigh. So let's take a merry trip down memory lane to the Christmas week in 1973.

The Mighty World of Marvel #65



This Ron Wilson/Mike Esposito original cover is a homage to the original Incredible Hulk #113 cover by Herb Trimpe. I'm not sure why they didn't use the Trimpe cover which was as good and possibly better than the Wilson version. But as the headline says it was a good way to start your pre-Christmas reading with "A happy Christmas to all Marvelites!" 

The Incredible Hulk "When falls the shifting sands!"


Writer: Stan Lee
Artist: Herb Trimpe
Inker: Dan Adkins

Originally published in The Incredible Hulk #113
Cover date March 1969
(Published in December 1968)

We join a panicking Bruce Banner as he struggles for breath inside an increasing pressurised cabin of a star ship whose course is back towards Earth after the events in last week's issue. But the keen mind of Banner deduces that the ship is powered by gamma energy and that unleashing some of that energy will kick start the doctor's transformation into the Hulk, which of course it does enabling him to survive the journey home. Three pages from the original story that introduced the Sandman, recalling his previous battle against the Fantastic Four were removed as that story had yet to be published in British Marvel. Wait till issue 129 of The Mighty World of Marvel is published on the week ending the 22rd of March 1975 to see those events. If you've got a copy of the Fantastic Four Pocket Book #9 from December 1980 you can see that story in its second UK outing. (For US readers they would have seen it in the Fantastic Four #61-63. Also reintroduced in those missing pages was Betty Ross and her father, General Ross.

In the UK version the Sandman is quickly introduced leaving everyone no time to ask why are the two opponents square off against each other. Part of the plot lost to the British readers is that the Sandman wants to steal an experimental Space Warp Ship from a US military base, with plans to use it to reach the Negative Zone so that he can reunite with his ex-partner Blastaar. Without us Brits having any knowledge of the Negative Zone, or  who Blastaar is, those events are removed and the Space Warp Ship is simply named a ship. One thing that could have been changed but wasn't is that when the Hulk recognises the military base he recalls that "Betty Brant" lives there, not "Betty Ross"! It's quite a big slip-up by Stan in the US edition but you would have thought someone would have noticed it and made the correction. The Sandman tricks the Hulk into attacking the base but once the green brute sees Betty he helps save it. Another page is removed to save space but ultimately the Hulk defeats the Sandman leaving it open for a rematch next week.


All three festive weeklies offer this centre spread recounting what a fantastic year British Marvel had in 1973. Now is as good a time as any to look back over the year. In January you first heard the word FOOM. February marked Spider-man's leap into his own weekly comic. March saw your chance to win a Spider-man LP record and April a chance to win a Chopper bike. May offered UK readers an opportunity to buy your very own Hulk t-shirt. Sunshine in June meant that everybody was out and about making it the perfect time for a football competition. More competitions arrived in July as readers were told what WORDOPHOBIA meant. August saw the first Pocket Money contest, while September saw the Avengers gain their own weekly title on the shelves of Britain's newsagents. It was a Happy 1st Birthday to British Marvel in October . Things got fishy in November when readers got a chance to win with Marvel and the Angling Times Kingfisher Guild's angling contest. Old order changeth for the Avengers this December and a chance to win in the third pocket money comp. All in all it's been a packed twelve months for British Marvel.

The Mighty Marvel Mailbag

Mark "FOOM" Stubbings, Captain America's No.1 fan from Sussex writes in to complain about his missing issues of FOOM #2 and #3. He also wants to see reprints of Captain America's adventures from the 1940's and the 1950's. John Huxford from Coventry, a longstanding Marvelite for some 10 years, writes to complain too, but his letter deals with the lack of colour that use to be in older MWOM and SMCW weeklies. Paul R. Kelly from London writes a short letter because he can't find the words to congratulate Marvel on their fabulous mags so he simply says thanks a million. Jimmy Tatterslale from Grimsby heard on TV people discussing the violence in comics and possibly banning them. Jimmy and his mates would fight those who wish to do so. Philip Elliott from Chelmsford placed an ad in one of the Swap Shops and got 55 replies. So I guess some people did indeed use that feature.

The Fantastic Four "Divide and conquer!"


Writer: Stan Lee 
Artist: Jack Kirby
Inker: Chic Stone 

Originally published in The Fantastic Four Annual #2
Cover date September 1964
(Published in July1964)

As this issues story is the continuation of last weeks FF's adventure the opening splash page for this week makes great use of the cover from the Fantastic Four Annual #2. The FF are invited to the Latvian Embassy for a special function in their honour. It's worth noting that the FF and the world at large don't know that Doctor Doom is the ruler of Latveria. The FF are offered drinks which Reed becomes suspicious of but too late to stop Ben, Johnny and Sue from drinking it. They then start to see visions of their teammates attacking them. Doom reveals himself to be the mastermind behind their predicament, ending in a chance for the team to regroup and face Doom in a showdown next week.

It's a packed page that not only advertises the contents for Spider-man Comics Weekly and the Avengers, but also teases new exciting looks coming soon to both the Mighty World of Marvel and Spider-man Comics Weekly with glossy covers for both of them like the Avengers as well as an increase in the number of pages. Plus Daredevil will finally return to the pages of the Mighty World of Marvel and the invincible Iron Man will join the line up of Spider-man and Thor in Spider-man Comics Weekly. 1974 looks to be an exciting new year! But first lets see what this weeks SMCW looks like.







Spider-man Comics Weekly #46



Ladies and gentlemen may I present this week's Cover of the Week! Drawn by the talented John Romita Sr this slightly recoloured version of the cover from Amazing Spider-man #52 is not only eye-catching and dramatic, but it's got added speech balloons from Jameson. Well you wouldn't just sit there in silence and let the water build up. I'd be screaming for Spider-man to wake up too! Quick let's open the comic and see how Spidey gets them out of that.

Spider-man "To die a hero!"


Writer: Stan Lee 
Artist: John Romita Sr
Inker: Mike Esposito

Originally published in the Amazing Spider-man #52
Cover date September 1967
(Published in June 1967)

It's a great opening splash page, the Kingpin's men take an unconscious Spider-man and a panicking Jameson to the sub-cellar to dispose of them. It's a dark page that fits the tempo of the story. Simple use of the page to show that the Kingpin is the top man with his placement at the top of the stairs. Jameson is in the middle but he hasn't got a clue what's going on. while Spider-man is at the bottom, totally unaware of the danger they'll face.


The danger is magnified when the two prisoners get cuffed to a slab in a room that will fill up with water and drown them. Hasn't every criminal boss got one of those in their sub-basement? Will Spider-man wake up in time to save them? Lee and Romita like to put cliffhangers all the way along their Stories to keep readers glued to the comic.

Jameson's screaming and the rising water does awaken Spider-man just in time for him to free his arms demo the steel cuffs and encase Jameson and himself in a web cocoon that he hopes will remain water tight and trap enough air inside for them to breathe. 

After his first appearance last week Daily Bugle's city editor makes his second appearance and this time he's given a name. Robertson's first job in the absence of Jameson is to promote Ned Leeds from reporter to Crime reporter, replacing the missing Fred Foswell.   


Spidey's quick thinking did work and as the Kingpin's men drain and enter the room that Jameson and Spidey are locked in, our hero leaps from his web cocoon to surprise the two thugs, knocking them both out. Spidey frees Jameson and tells him to escape while he goes of to confront the Kingpin.

Foswell isn't happy with the Kingpin's methods of silencing the web-slinger and the paper editor, murder isn't his style. This doesn't sit well with Fisk who threatens to do to Foswell what he believed he did to J.J. and Spidey. Spider-man slams open the office doors to tell the crime boss "Hands off tubby! You're going to need your strength for Spider-man!"

Before we can see how the match between the fat man and the Spider-man goes Lee and Romita make a scene change and we find that Flash Thompson has returned on leave from the army to meets up with the old gang,  Harry, Gwen and Mary Jane. Peter misses out on those young adult get togethers.
Spider-man takes on the Kingpin who puts up a good fight with big action packed panels drawn imposingly by John Romita. Ultimately Fisk knows when the odds are against him and he nips out through a secret passage way. Foswell locates Jameson and tries to protect the man who believed in him from two gun men, the reformed criminal heroically takes a bullet shielding the Bugle's editor.

Spidey arrives just a little too late to make any difference other than knocking out Foswells killers. Jameson was right for once, he gave Foswell a job when no one else would. The ex-con repays him by saving his life. Jameson offers Ned Leeds the chance to write the front page with Foswell as the hero while Jameson will write an editorial against Spider-man even though Spidey saved him from a watery grave. I guess those are the breaks. It's an amazing end to an amazing story. One of Stan and John's greatest. Next week Doctor Octopus, Nuff said!

Another full page of in-house adverts and a coming soon teaser. If you look closely on this page and the in-house adverts page seen in the Mighty World of Marvel you'll notice that the original headlines are different than those shown on the covers. Spider-man Comics Weekly read "Bonus feature The power, the passion, the pride of Thor!" The one on the Mighty World of Marvel reads "The F.F. face their deadliest foe-Doctor Doom!" The Avengers headline is partly obscured but it does look like it reads "This issue: Dr. Strange!" These covers must have been created and lettered weeks and weeks before they went to the printers. Some quick thinking editor must have seen that they would be released in the Christmas week and so changed headlines quickly before the printers got the proofs. Each weekly now has the headline of "A Happy Christmas to all Marvelites"

The Mighty Thor "The power! The passion! The pride!"

Writer: Stan Lee 
Artist: Jack Kirby
Inker: Vince Colletta

Originally published in Journey into Mystery #121
Cover date October 1965
(Published in August 1965)

It makes more sense seeing the headline on the in-house ad for SMCW as seen in this weeks MWOM with this weeks Thor title. It's a strange title though, I get that the power comes from Thor and the Absorbing Man, but I'm not sure how much passion and pride both characters give off in this story to warrant the rest of the title. May be that comes from Jack Kirby as he delivers a masterclass of matchless artistic excellence when it comes to this Asgardian tale. He might have been filled with pride when he handed over the artwork, although it's very possible that Vince Colletta did remove some of the passion with his inking.


You can see on some pages that Kirby would go the extra mile with more lavish attention to detail. How much was removed from some of the more basic pages is anyones guess. It's a bit of a shame that British Marvel was produced in black and white because some of Kirby's artwork looks even better in colour, although who ever grey toned it did a fair job making the impression of colour. Crusher Creel absorbs everything from bricks to the Uru metal of Thor's hammer. He even absorbs the mass of the steel and concrete building to gain height. How he does this is anyone's guess as I always considered that his power was only to absorb the property of whatever object he touched and not its mass. But in saying that it does look great on this splash page, "a veritable colossus of stone and iron!" and an incredible example of Kirby's imagination.

The Avengers #15


This week's cover is an original British cover by Ron Wilson. The inker may well have been Mike Esposito or John Tartaglione according to the Grand Comics Database's Nick Capcuto. What is strange about this cover is the lower text box that says "In the grip of General Gorgo!" The General was never named Gorgo anywhere in the British or American versions. Why he was named like that on the cover is a mystery. May be he was intended to be named "General Gorgo" inside but there wasn't enough room in the speech balloons for the British bodger to fit in all the letters.

The Avengers "When the General commands!"


Writer: Stan Lee
Artist: Don Heck
Inker: Dick Ayers

Originally published in The Avengers #18
Cover date July 1965
(Published in May 1965)

The original US title for this Avengers story was "When the Commissar commands!" with Commissar being the name given to an official of the Communist Party, who is responsible for political education and organisation. I had thought that British Marvel had stopped its censorship of communist ideas, names or places but maybe it was thought that Commissar was a title that is unfamiliar to a young British readership. "General" as a name works just fine, so the bodger got to work changing Commissar to General.

For the most part the Avengers haven't up to this point battled against communist villains like other Marvel heroes have in there British editions. That is about to change with the introduction of the General. A giant of a man who with his weaselly sidekick, Major Hoy, rules over a small central Asian province of Sin-Cong. "Protecting the weak" from the "evil propaganda" created by "scheming capitalist nations", while only asking for his people's complete servitude. Some of the communist symbols are changed slightly from the Red star to a Bodavian lightning bolt, but much of the communist language and ideology remains the same, other than the "Commissar" to "General" name swap.

  
Captain America is getting restless after receiving no reply to his letter requesting an appointment in Colonel Nick Fury's new counter intelligence unit, a story that will have to wait till next week. While waiting for the call to action he receives a message from "Radio Free Sin-Cong" asking for help. Cap alerts the Avengers and leads them into a trap set up by the General. The Scarlet Witch is captured and the three male Avengers are challenged to individually duel the General, who's real motivation is one of a propaganda victory in front of witness, showing how weak and inferior the west really is. The General's strength, speed and trickery allows him to beat Cap, Hawkeye and Quicksilver easily, but Cap notices that Major Hoy slips behind a curtain every time the General fights one of them. 

Cap tells the General that he hasn't defeated all the Avengers and challenges him to release the Scarlet Witch so that he can match his strength against her. Cap whispers some brief instructions to Wanda, who with her Hex powers sets fire to the curtains to reveal an elaborate control panel from which the Hoy was controlling the robot General. After another Hex bolt the control panel is destroyed and the robot explodes, freeing the people of Sin-Cong from its tyranny. Surprisingly Stan Lee and Don Heck make good work of this "Wizard of Oz" homage, with the Scarlet Witch saving the day like Dorothy with Cap, Hawkeye and Quicksilver becoming the Scarecrow, Tin Man and the Lion. as we find out what's really behind the bamboo curtain. Just before I finished writing this blog I read this story on Christmas Eve, which feels right that the Wizard of Oz should be seen on Christmas. It feels like I got the Marvel version. 

Avengers Assemble 

Jack Leuoides from London thinks that the Avengers is the grooviest mag around and as soon as he picked up the very first issue he went home and put the free transfers on his hands and forehead. J. McGowan from Wigan takes the Marvel editors to task over the way in which they answer questions from letter writers by giving a "crummy smart answer" or a "non-answer". He also asks his own questions which aren't answered at all. Instead he is given a long and detailed reason to why they answer questions in a "smart" way. Should I list and answer J's questions? Well it's not really my place. This is J's third letter, the first two were never printed, so may be they'll answer the questions in his fourth correspondence. Paul Holmes from Swindon who by his own admission is one of the few Avengers weekly readers who doesn't like Doctor Strange but is a big fan of Captain America and Iron Man. He would like to see Daredevil back in MWOM, well that's happening soon Paul and also wants full colour in the UK mags, well that won't be for a considerable time. Patrick Cullen from Birmingham wonders why in one issue of the Avengers the Wasp calls Giant Man Hank but his name is Henry. The editor makes a long explanation of why but fails to state that Hank is a diminutive of Henry. Patrick also asks for the Avengers letter page to get it's own address, which the editor thinks he means it's own title, which is a point that is driving me crazy 50 years later when I write these blogs an each week they change the title of the Avengers mailbag every week.

Doctor Strange "Duel with the Dread Dormammu!"

Writer: Stan Lee 
Artist: Steve Ditko
Inker: George Roussos 

Originally published in Strange Tales #127
Cover date December 1964
(Published in September 1964)

This opening splash page for Doctor Strange shows perfectly the hero, the villain and the damsel in distress in a style that is unmistakably Steve Ditko. It breaks the horizontal plain by having his characters stand on physically impossible floating platforms that are linked by strange dimension door-ways and trippy paths. it's great to view as no panel will ever be the same as another.

The woman, who we would in later stories find out is called Clea, warns the Doctor that he should not oppose the Dread Dormammu as although he is evil and holds power over all in the (again unnamed,) Dark Dimension, he's also the reason why that dimension is protected from the unstoppable onslaught of the Mindless Ones by a barrier that Dormammu maintains. The woman is enslaved by Dormammu as penalty for speaking to his enemy. 


Doctor Strange has to challenge the Dread Dormammu for the safety of the Earth's dimension no matter what the consequences. The Master of the Mystic Arts makes a fair attempt at battling Dormammu but the lord of the Dark Dimension is stronger, although the battle comes at a cost. The mystical barrier that holds the Mindless Ones at bay is weakening and the savage hordes push through into Dormammu's domain. The dark lord breaks off from his duel with Strange to force back the Mindless Ones but even his powers aren't enough. Strange aids his enemy by adding the power of his enchanted amulet to Dormammu's attack thus forcing their common foes back. Although the Dread Dormammu is evil he does hold to his own moral code and agrees to release the girl without harm and to never invade Earth. Once the Doctor returns to the Earth dimension the Ancient One rewards him with a new cloak and amulet more powerful than his previous mystical objects. This great tale centres the sorcerer with the look he's most known for today.   


The in-house adverts seen in the Avengers for Spider-man Comics Weekly and the Mighty World of Marvel are only basic ads that list the contents of both mags without any story details or information of any future format changes, unlike the ads in both other comics did. We do get to see the cover of Spider-man Comics Weekly again which is a good thing, but without the upper headline shown in the MWOM ad or the printed cover headline. The speech balloons and lower text box together with the date and issue information aren't shown either. It must have been a very early proof version. 


  All three of this week's mags had this colour full page pin-up with a Christmas message from Stan Lee and a mass of Marvel characters wishing the reader a "Happy Holidays, Pilgrim. From all of us.. ..to all of you!" "Peace on Earth, good will to all." Some of the faces hadn't been seen yet in British Marvel, like the Inhumans Medusa and Triton. The Grand Comics Database says that this piece of seasonal artwork was by Marie Severin, but was it made especially for British Marvel or had it appeared elsewhere? 
And with that question hanging in the air, I'll wish all the Friends of the Power of the Beesting a Merry Marvel Christmas. I hope to bring you all the wonderful world of Marvel weeklies from 50 years ago in the new year. Which as you read this could be coming in a week or less. So till then I'll... 

See you in seven. 

Or may be less if I'm on the good list and there's time for a Christmas bonus blog. Til then...
...seasonal wishes to you all.

Make Mine Marvel.
 


 






Friday, 22 December 2023

Vworp Vworp apology.


Vworp Vworp Volume 6

Why an apology? Well let me start at the beginning. I was late, which I am frequently with so many cool things, to the wonderful world of Vworp Vworp! The attraction of reading an Alan Moore interview in volume 3 pulled me in and I bought volumes 3, 4 and 5 this year. With the quality of those  three issues I had to go back  and pick up the collected compendium featuring volumes 1 and 2 with the splendid 2023 updated cover featuring the Fourteenth and Fifteenth Doctors added to the artwork. I knew that if volume 6 was anywhere near as good as the previous five volumes it would be another winner. As the anniversary of Doctor Who's 60th year drew close I was tempted to splash the cash and grab me another treasure trove of Doctor Who goodness. With a choice of three covers to choose from I chose the "Everlasting Match" cover by Jeff Cummins as he was one of my favourite Target novel cover artists. So on the 19th November I pre-ordered and waited.
By the 11th of December I saw on the Vworp Vworp Facebook page that copies of the Cummins cover was out of stock, as I had yet to receive mine my petulant inner child took over and I wrote an email to Vworp Vworp politely asking if they had received my order. I quickly received an email from Gareth Kavanagh informing me that my order had been taken and the reason for the back log in dispatching the orders was due to the fact that Vworp Vworp is a fanzine and the work is done in their spare time. In my defence I had let that fact slip my mind due to  the previous five issues having been to an incredibly high standard. I quickly returned an email, thanking him dearly and wishing him and all the others who worked on the fanzine all the best for Christmas. 
On the 19th a package arrived like the greatest gift Santa could bring, just in time for Christmas. The First Doctor peering sternly at me as I opened it, with a DVD "A meeting on the common." and a giant sized double sided poster by Adrian Salmon and Robert Hack as extra free gifts. I don't know how Colin Brockhurst and  Gareth Kavanagh do it, a fanzine of this quality bulging with articles, comic strips and free gifts. It's incredible really.
Vworp Vworp is mainly a fanzine that celebrates the world of Doctor Who comic strips, but this issue quite rightly looks back with a celebration of the world of Doctor Who for its 60th with interviews from Carole Ann Ford, vision mixer Clive Doig and the Radiophonic Workshop’s Brian Hodgson, William Hartnell's granddaughter Anne Carney and Bill’s wife, Heather. Mark Gatiss and Brian Cox are also interviewed about their involvement in making "An Adventure in Space and Time" drama. Plus loads more insight into those early Doctor Who days. John Dorney and John Peel write two cool short stories.  "Hunters of the burning Stone" the 50th celebration story from Doctor Who Magazine gets a good looking over. Plus we get three brilliant comic strips, "Overdue" by Lance Parkin and Faiz Rehman, "The night before" by Tim Quinn and Tim Keable and "History, bangs and stinks" by Paul Ebbs and Simon Brett. All splendid strips and like Doctor you shouldn't have favourites but "The night before" is to me like Tom Baker was to my seven year old self. 

If you want a more in-depth review you're not going to get it, because if you haven't already bought this volume and you've been considering doing so, you should really do it and find out for yourself how utterly fantastic this fanzine is. I feel wrong in calling it a fanzine, it's more like a Fan-tastic-zine! 

Here's a link to the Vworp Vworp website, but you might have to wait till after Christmas and the New Year to order a treat for yourself. Put it in your new diary or calendar so you don't forget!

Colin and Gareth you've done an excellent job producing the most perfect Christmas gift I can give myself. I'm truly sorry I interrupted that very busy period by sending that email. You came through with the goods in great style. Merry Christmas to you both and all the Vworp Vworp contributors. 

Vworp Vworp!
 

Sunday, 17 December 2023

In the clutches of the Beesting!

Week Ending 22rd December 1973



Christmas is around the corner and there's loads to do but before I crack on with this week sack full of British Marvel goodness from this week fifty years ago I have to correct and mention a Christmas stocking full of mistakes and interesting titbits from last week. 
Steve Mills from the Facebook group, UK Marvel in the Seventies and Rod Tough from the blog comments, both corrected me in the false assumption that I made were "The unknown origin of Doctor Doom!" FF story was the only new story featured in the American Fantastic Four Annual #2 and that all the others were reprints. As we'll see later in this blog "The final victory of Doctor Doom!" was also a new  strip. Steve and Rod have yourselves each a merry Power of the Beesting No-Prize! (PotBNoP) 
Mike O'Doherty a member of the Facebook group UK Marvel in the Seventies and writer of a letter published in the Avengers weekly #13 as seen in last week's blog was awarded a No-Prize for spotting that Captain America didn't recognise the UN building in Avengers weekly #1, but in a 50's Marvel comic he actually fights a battle in it. Technically that would probably have been Jeffrey Mace (also known as the Patriot,) who had taken up the roll of Captain America in the late 40's  while the original Cap was missing and not Steve Rogers, but let's not take away anything from Mike's No-Price as while on home in the US Mike attended the 2011 MegaCon in Orlando where he meet Stan Lee and got the legend to sign his copy of the Avengers #13, in doing so endorsing the No-Price! Mike retold the story in an article printed in David Hathaway Price's fanzine Fanscene #3 shortly after Stan's passing. It's an amazing story, I'll award Mike a PotBNoP award anyway, but let's face it it's pitiful compared to the one he got from Stan. Mike gave me permission to show the three page article about is trip, in itself it would make a wonderful Christmas style movie, a great heart warming read.


Last week's blog featured a message as seen in all the weekly letter pages  From The Bullpen to you, which could only be decoded by FOOM member. I wasn't a FOOM member but I did decode it, as I like a good puzzle now and again. I guessed what VZBD and ZIITDOO meant NAME and ADDRESS as they looked like a competition form above an address, I picked out common letters and as you lay out the code under the alphabet B to J spelt SPIDERMAN. He's what it said but don't tell any non-Marvelytes.

HAPPY CHRISTMAS TO ALL FOOMERS! BEWARE OF DOCTOR DOOM'S SPIES. KEEP YOUR CODE HIDDEN FROM THE EYES OF NON-FOOMERS. KEEP THE FAITHFUL FLAME BURNING.

E PLURIBUS MARVEL 'NUFF SAID

THE FIRST TEN FOOM MEMBERS TO DECODE THIS MESSAGE WILL RECEIVE AN EXCITING CHRISTMAS GIFT FROM THE BATTY BULLPEN. JUST FILL YOUR NAME AND ADDRESS BELOW AND SEND YOUR DECODED MESSAGE TO:

So it was a secret Christmas competition! I think that was a brilliant idea. Did you decode it and send off for a prize? If you did what was it?

For those thinking I messed up with the decoding E Pluribus Unum is the motto of the United States of American and means "Out of many, one" It's latin and can be found on an American dollar. It relates to the 13 colonies and later 50 states that formed the one nation United States was formed. "Out of 13 colonies came one nation." So Stan must have thought that E Pluribus Marvel, Out of many Marvel, sounded good. Sounds weird to me but I presume that he meant many people make Marvel. Anyway on to the many weeklies from this week in 1973.

The Mighty World of Marvel #64


The original cover for this weeks Hulk story featured the alien Warlord Supreme standing over a beaten Hulk, drawn by Herb Trimpe and Dan Adkins, but this must have seemed tame or weak to a British readership. Instead for the UK version Ron Wilson drew the Hulk attacking the physically transformed Galaxy Master who was menacing the alien Princess. Here she's portrayed with white skin but in the original American strip she was coloured grey. Finishing inks supplied by Mike Esposito.  Wilson suspected that this cover was his work, but couldn't be certain when ask by Jason Schachter, from the Grand Comic Database. It does look very much like his work from that period to me.

The Incredible Hulk "The brute battles on!"

Writer: Stan Lee
Artist: Herb Trimpe
Inker: Dan Adkins

Originally published in The Incredible Hulk #112
Cover date February 1969
(Published in November 1968)

The opening splash page features the alien Princess, who isn't named in this story. Her return in the Incredible Hulk #269 (US edition,) cover dated March 1982, published December 1981, named her Empress Daydra, her race was also named the Sagittarians, presumably her title was earned between her first and second appearances. We do learn in this story that the Galaxy Master was spawned by an evil race in an universe that was a thousand universes away and when the all powerful entity had arrived at their world her uncle bowed down in cowardly subservience.

The Hulk takes on the Galaxy Master for a number of dynamic pages. Trimpe transforms the impressive entity into a more practical opponent for the Hulk to fight, although less artistically pleasing on the eye. Pages six and seven of the original American edition did feature the Galaxy Master fighting the Hulk by transforming himself into a number of worm-like creatures, that look more impressive. The Princess, tired of living in bondage under the Galaxy Master's rule heads off to command a rebel force to aid old greenskin. Hoping to curry more favour with his Master the Supreme Warlord marshals his own forces to stop the Princess in the hope that he can become his peoples ruler, firing on his niece's ship. The Galaxy Master levitates the Princess into its own dimensional realm, but seeing this the Hulk leaps after her and fights the evil entity from within, seemingly killing it while rescuing the Princess.

The Princess declares that her Uncle must pay the price for betraying her race but before she can never bring him to task the Supreme Warlord steps backwards over a cliff edge and falls to his death. As the Hulk place is elsewhere the Princess offers to return the Hulk back to Earth in her space ship but it would take half a day to adjust it to the brutes needs. The impatient Hulk can't wait and enters the ship to soon with it's cabin pressure and air at levels that a normal human couldn't survive, just as the Hulk transforms back into the human Banner. The scientist starts to suffocate, will he survive? To Be Hulk-inued next week!

The Marvel Mailbag

The "A message from the Bullpen" column makes news of big plans for MWOM and SMCW in 1974 with loads more competitions and exciting strips. Both weeklies will have a triple line up of strips, one of which is promised to be the return of Daredevil. I can't wait.
But onto the readers letters, first up is Barnard O'Toole from Birmingham who wants to see the X-Men, Conan, the Silver Surfer and the Thing, as well as some poster offers. Not only that but he wants summer and Christmas specials and thinks that a drawing competition would be a great idea. Peter Hagil from Newport doesn't want Marvel to bring back Daredevil. Ooops He won't be happy with the Bullpen message. But he'll be happy to see Herb Trimpe's Hulk strip though as he thinks Ol' Herb artwork has improved loads. Paul Johnson from Middlesex likes the FF and the Hulk but asks who's the most powerful character. Come on Paul it's got to be the Hulk!

Russell Benjamin thinks all the British weeklies are great but wants to see some sword and sorcery strips like King Kull and Conan. Russell is another one who won't be pleased to hear the Daredevil news as he thinks DD is a bore. Robbie Lindsay from Lanarkire has been reading British Marvel weeklies since his friend let him take home a copy of the Mighty World of Marvel. His Dad criticises them but still wants to read them. Still in Scotland we hear from Edinburgh lad Shaun Hanlon who's been a Marvel fan for five years. He points out that Thor is invincible due to the fact that Thor can go back in time to stop people before any events have occurred. Yeah I'm never a big fan of that plot device. Yet another Daredevil hater as David Holdup from Torquay lets his feeling be known. The might Marvel Mailbag letter comes from George McGuinness and he simply says "I think Marvel is getting better every week. Next month with be great!" Well he's not wrong there!

Fantastic Four "The Trap is set!"

Writer: Stan Lee 
Artist: Jack Kirby
Inker: Chic Stone 

Originally published in The Fantastic Four Annual #2
Cover date September 1964
(Published in July1964)

As I mentioned at the top of this week's blog "The uncanny origin of Doctor Doom!" wasn't the only original strip to appear in the Fantastic Four Annual issue 2, another story titled "The final victory of Doctor Doom was featured. The opening splash page was the same as the one used in this British weekly, except that the title was changed to "The trap is set!" Why change it? Goodness knows, maybe they wanted to tease the Doctor's appearance later, although the editor's note in the text box and panel do give it away! 


After some Lee and Kirby hi-jinks with the Fantastic Four we jump to find Doctor Doom lost in space after events in MWOM #52, with little oxygen left in his mask to survive, he's rescued from near death by Rama Tut who retells how he first discovered a Time Machine built by his ancestor Doctor Doom and his first encounter with the FF in MWOM #42. 

The two villains want revenge on the four heroes but hypothesise that they could well be the same man, making it dangerous if they both attacked the Fantastic Four at the same time and one of them was killed. Rama Tut agrees to return to his own time while Doom to his, where he can formulate new plans to bring about the down fall of the Fantastic Four. Rama Tut would later use this historic encounter as inspiration to build his own suit of armour similar to Doctor Dooms as first the Scarlet Centurion then later the more well known Kang, who has already made his first appearance in the pages of the Avengers weekly #5 

Two more masterpieces from Mighty Marvel with Spider-man "in the clutches of the Kingpin!" and Thor "With my hammer in hand!" from the pages of Spider-man Comics Weekly. While in the Avengers "Four against the Minotaur!" takes the cover and inside a bonus thriller with Doctor Strange "Master of black magic" Both on sale this week in 1973.








Spider-man Comics Weekly #45



   
  This weeks cover uses the cover of Amazing Spider-man #51 by John Romita Sr, with certain colour changes. The back ground becomes a lot lighter than the original, the thugs jackets change colour for no reason, but what does bug me is the Kingpin is seen wearing a brown jacket and not the original white one. It's a great cover but I'm not going to award the cover of the week for that reason. Unfair you might say, well it's my pick. What would yours be?

Spider-man "In the clutches of the Kingpin!"

Writer: Stan Lee 
Artist: John Romita Sr
Inker: Mike Esposito

Originally published in the Amazing Spider-man #51
Cover date August 1967
(Published in May 1967)
 
It's a great symbolic splash page you might think as the Kingpin crushes tower blocks of New York, but the big man really did have models of New York on his desk! May be he just liked to feel the power it give him, maybe he was weird or more likely with his criminal endeavours he was also involved in property. Now he believes that Spider-man has retired the only thorn in his plans is Jonah Jameson's editorials in the Daily Bugle that are shining the spot-light where it isn't needed.
The Kingpin orders his men to bring him Jameson so that he can personally lean on him to stop his writing about the rumoured underworld takeover. While one set of men carry out those orders another group are ordered to collect protection money from a set of service stations but they are stopped by Spider-man. The Kingpin has a little talk with ex-con Fred Foswell to see if he can be of any use after his attempted take over of the Kingpin's operation, but is interrupted by two goons. Which gives the big man a chance to show off is strength and control over the underworld.

In MWOM #22 a Marvel Collector Special (No.8) featured J. J. Jameson that was adapted from this panel. (In the following PotB blog Rod Tough informed me that the panel had originally appeared in this story.) This very panel marks the very first appearance of Joe Robertson the Daily Bugle's City Editor. He doesn't get a name check and his only line is to suggest replacing the missing Fred Foswell with Ned Leeds as head crime reporter.

The Kingpin's men abduct Jameson but only after Spider-man interferes enough to slip a spider tracker on one of the kidnapper's coats allowing him to follow the thugs to the Kingpin's offices. To ensure Foswell's loyalty the Kingpin lets slip to a bindfolded Jameson that the ex-reporter is standing next to him, forcing him to forget any chances of him going back to being a reporter. Spider-man enters. Normally Wilson Fisk doesn't get his hands dirty much but to show his gang that he's willing to roll up his sleeves and show them how it's done he takes on the web-slinger. Spider-man learns the hard way that all the Kingpin's bulk isn't fat but muscle and his walking cane and tie pin isn't just for show. 

Knock out gas from the Kingpin's tie pin lays the web-slinger low. Now with Spider-man beaten, Jameson his prisoner, Fred Foswell blackmailed into working for hime the Kingpin holds the criminal underworld in his fat hands. This little story arc is really hotting up. It reads wonderfully well and looks downright fantastic. A page turner and something you really want to pick up next week's instalment for. 




The Web and the Hammer

The "A Message from the Bullpen" is the similar but different to the one from the MWOM Mailbag, instead of a DD coming soon teaser we get an Iron Man coming soon to the pages of SMCW teaser.  Paul MacCarthy from Cork ass some of the silly but also quite honest questions a fan will ask like why if Ant Man can talk to ants why can't Spider-man talk to spiders, or when villains like Doctor Octopus or the Rhino go on a rampage why doesn't some other super-hero other than Spider-man tackle them? John Lockhart from New Zealand replies to Tom Colburn's letter in SMCW #30 asking "how much Hulk can the world take?" Tom says "not two stories"every week. He also wants Johnny Storm to stop saying "Flame on!" and wants a super-hero to have a pet. Will Zabu do Tom? John Guerin RFO from Leeds Asks will the Scorpion return soon. Keith Mackie writes to say that since moving to Missouri in America has had his Grandmother send over Mighty World of Marvel and Spider-man Comics Weekly. Now that's why Grandmothers and Nanna's are great and should never be forgotten. 



Gary Lewis from Leicester reviews of the best of Marvel. Best Scrapper of the Year - Spidey. Best Joker of the Year - Spiderman. Best Smasher of the Year - The Hulk. Best Team of the Year - (That's easy) FF. Dirtiest Crook of the Year - Dr. Doom. Dirtiest Team of the Year - Sinister Six. Best Web-spinner of the Year - (Cinch) Spidey. Worst Newspaper Editor of the Year - J. J. Jameson. Best Immortal of the Year - Thor. Most colourful character of the Year —Spidey. Best Editor of the Year - Stan Lee. Best Comic of the Year — Spiderman. Most Daring Man of the Year - Daredevil. Toughest Enemy of the Year -Sandman. Toughest Female enemy of the Year - Medusa. He offers some runner-ups in his letter but I'll let you zoom in to read it. I think Gary is a Spider-man fan. The High Reader from London is more than a "High Reader" he's also a "High Writer!" who writes an epic. He gets both MWOM and SMCW every week as well as a regular FOOM order. He still reads the two weeklies even though he's read the stories in the US editions previously. There's loads more in his letter but I'll let you read it at your leisure if you want. Abigial Shepherd from Milton Keynes gets SMCW while her brother gets MWOM every week and they swap them to read. Even so he thinks that sometimes the Batttles are a little boring. He says he's a bit of a Hulk hater as he thinks the green brute is a bit of a show-off.  But he does like the Fantastic Four. 

The Mighty  Thor "What evil is this?"


Writer: Stan Lee 
Artist: Jack Kirby
Inker: Vince Colletta

Originally published in Journey into Mystery #120
Cover date September 1965
(Published in July 1965)

The third panel on page 29 is reused with Thor's head redrawn so that he's looking in a different direction for this opening page. If you look at both panels TV masts on buildings are exactly the same. Panels with cameos from the new Avengers Hawkeye, Quicksilver and the Scarlet Witch from the original story have been removed from the part of the tale where Thor is searching for Nurse Jane Foster who unknown to Thor is with a mysterious stranger.

 
Loki is using Asgardian technology to probe space looking for something. He spots a cloud of gaseous helium in space that was once a man. Using Asgardian technology he captures it in a translucent spheroid and sends it to Earth to face Thor. The spheroid is smashed from within to reveal Crusher Creel, the Absorbing Man, last seen in SMCW #35 when Thor transmutted the villain into helium. I like the way Kirby draws Creel after he's absorb the properties of the wall, with his disco looking ball! I can't wait for next week's clash of titans.

'
The in-house ad for this week Mighty World of Marvel features an image taken from an up-coming Hulk strip, I'm not sure where it's from but I think it's by Herb Trimpe. Have you got any ideas? The title "The brute battles on!"  for the Hulk strip is used to promote the Hulk strip but for the Fantastic Four strip the original title for their story "The final victory or Dr. Doom!" is used instead of the UK title "The trap is set!" The cover for the Avengers weekly is used again to good effect, more on that soon.




 The back pages of both this weeks Mighty World of Marvel and Spider-man Comics Weekly feature a repeat of British Marvel final Pocket Money competition, giving you a chance to check your answers to the five questions as well as cutting out the second coupon that is needed to enter the contest. 










The Avengers #14



This original cover by Ron Wilson with inks by Mike Esposito and Frank Giacoia is inspired by the cover of the Avengers #17 by Jack Kirby. Ron Wilson's cover is so much better than Kirby's. I like lots of little things about it, Cap looks magnificent, I love that Hawkeye's arrow just skims passed the Minotaur. Quicksilver is in his blue silver costume, which is my favourite costume, and not in the horrible green one. All those little things make it my Cover of the Week.


The Avengers "Four against the Minotaur!"

Writer: Stan Lee
Artist: Don Heck
Inker: Dick Ayers

Originally published in The Avengers #17
Cover date June 1965
(Published in April 1965)

Two things that really strike me about this opening splash page, the first is we are entering a period of British Marvel weeklies were the Toner is really heavy handed with the shades of grey, blocking out some of the artwork with messy tones. I think the Avengers weekly suffers badly for it but both MWOM and SMCW have some terrible shading too. The second thing is the Scarlet Witch turns up in her knickers and bra! The age group would average around 5 to 12 years, I feel a bit awkward for my younger self, I wouldn't talk to girls when I was that age, let alone look at them in their underwear. In the American colour edition Wanda wore a light red leotard under her Knickers and bra outfit. I guess a lot of these female Marvel characters awoke puberty in many kids.

Part of this story is that the new Avengers are looking for the Hulk to bolster their ranks. There is a parallel story running in which the green goliath is captured by but later escapes the Leader. As seen in MWOM #22. This insert feels unnecessary in the British version and could have been removed if space was needed, but in a way it does add to the stories charm, charm which I believed this story lacked until I re-read it again for the purposes of this blog.

Cap leads the new team of Avengers, putting them through their paces only to be attacked by a giant robot, secretly under the control of the Mole Man, who hints at the whereabouts of the Hulk. The Avengers follow this lead to a trap set by the Mole Man in the shape of a giant Minotaur. Presumably the legendary Minotaur is another of the many weird creatures that Mole Man found within the labyrinths of his subterranean kingdom. I kind of like the beast although the UK shading does lose a lot of the creatures great looks to a mass of darkness, in the US edition he's seen in an eye pleasing orange colour. This week's cover does blend the two, a sort of orangey brown furred beast, which makes, in my eyes anyway, the ultimate eye pleasing version. Quicksilver gets separated from the other three Avengers, becoming captured by the Mole Man. A nice change, I imagine in one script version they had his sister captured but I'm glad to not see that idea used. On the whole the Scarlet Witch does get portrayed as a quite capable Avenger, getting a better deal than the Wasp previously did. She might be wearing just her knickers and bra but she can kick ass, even taking a big part in her brother's rescue. The Mole Man escapes, the Hulk isn't found but the new version of the Avengers does pass their baptism of battle in good style.

Avengers Unite!

The "From the Bullpen to you" column is different from "A message from the Bullpen" columns seen in the other two weeklies. This one featured in Avenger Unite does feel a lot more Christmassy than the ones featured in MWOM and SMCW, with a promise that next week will see a special seasonal "Christmas Extra Page" to celebrate this wonderful time of year. May be as I finish writing this blog it's getting closer to the big day and I'm feeling less humbug and more jolly. Well onto the lively letters.
Ian Ritchie from Ross-shire want's to congratulate Marvel on the superb new magazine, the Avengers with its glossy covers. William Larsen Ebney from Cheshire is so glad that Captain America has taken over from the Hulk in the Avengers even though he might not be as strong, he is quick, keen and effective. Well William that's just what you need. 
 
Neil Hopkinson from Notts writes that in the Avengers #2 E. Capereo RFO from Bedford wrote a letter in which he states that when Doctor Strange leaves his physical form he shouldn't have clothes on as spirits don't wear clothes. Neil asks does E. have a form of ESP as that letter was printed at the same time as that story. Well two things, first E. was discussing the story where the Doctor teams up with Spider-man as seen in SMCW #23, secondly this is a comic and as much as I like to see the magical portrayed in a realistic way I'm not sure I'm up for naked men flying around all over the place. Simon Furman from
Surrey, could this be the future Doctor Who, Transformers and Death's Head comic strip writer?* He also comes from Surrey! He saved the free transfers from issue 2 on a glossy sheet of cardboard. Martin Lavin from Cornwall says that Doctor strange is his favourite hero with Iron Man coming second. Marvelite & Spideyite Supreme from Middlesex thinks that the Hulk never looks the same in any strip and British Marvels never have enough heroes, wanting to see the Silver Surfer, Iron Man and the X-Men soon. Finally for this week Micheal Boswell from Cheshire thinks that Giant Man and Ant Man could be called Gi-Ant-Man. He also would like to see the Avengers helicopter have a big A on it, Wait till you see the 80's/90's Avengers stuff, there's "A"s everywhere.

Doctor Strange "The domain of the Dread Dormammu!"

Writer: Stan Lee 
Artist: Steve Ditko
Inker: George Roussos 

Originally published in Strange Tales #126
Cover date November 1964
(Published in August 1964)

After weeks of hearing the Dread Dormammu's name called in mystical chants we finally get see the Lord of the Dark Dimension. It's a classic with Steve Ditko pulling all the stops out with the most wonderful and weird artwork ever to grace a Doctor Strange tale. It's only a shame that the artwork does suffer slightly with the dreaded curse of the heavy toner. In one hand it does make it more sinister and the Dark Dimension does live up to its name but at the same time I really want to see the amazing art. Oh well maybe someone will get me an Omnibus edition for Christmas, hey Santa I've been good this year and mostly hitting my deadlines! 


Dormammu is a brilliant piece of creative work from Ditko. His head is literally on fire! And the Dark Dimension is just the weirdest place you could ever imagine. After weeks and weeks of having Doctor Strange battle Baron Mordo it's been a wonderful change to see the Master of the Mystic Arts face a proper opponent. 


We also get the first appearance of future Doctor Strange love interest, Clea. She isn't named in this story or her relationship with Dormammu but she appears to warn the valiant Strange of the danger he would face if he confronts the evil Dread Dormammu.   


If you never seen this story I won't spoil any more of it, but this is only the opener there's loads more next week. So just grab a copy of the Avengers weekly #14 or wherever else it might appear and enjoy it. It's pure Ditko-ecstasy. A safe and wonderful high. 

Put simply it's just magical.


The colour back page is used beautifully to show in-house adverts for this week's Spider-man Comics Weekly and the Mighty World of Marvel.

*It was indeed the same Simon Furman who wrote the comic strips for Doctor Who,** The Transformers and Death's Head, making his letter seen in the Avengers Unite letter page his first published writing for a comic at the age of 12. Yeah it's a letter but it still counts. Simon also told me he was one of the 500 lucky runner up winners who won a Lunar Model Kit from a Football competition seen in MWOM #29 and MWOM #30. His name was printed in the second list of 300 as seen in MWOM #37

**Shameless plug: if you enjoyed the Doctor Who 60th Specials, or even if you didn't you can read my reviews of the three in my Power of the Beesting blog- 60th Who? 

Right, time for more mince pies before I crack on with the Christmas Power of the Beesting for next week's offering of the festive fantastic threesome of weeklies from British Marvel. 

See you in seven.

Make Mine Marvel.