A new British comics Anthology
Quantum #1
"Oh look a new comic on the newsagents shelves. That looks cool!"
"Not another comic, don't let it pull you in. Just more expense and clutter to store."
"But its a first issue, Quantum, the new British comics anthology."
" I think I've heard about it, it's supposed to be really good!"
"Don't believe the hype! You've got millions of comics and books you've still not read."
"True but why not give it a chance?"
"It's £5.99 that's why!"
"That's not a bad price for 52 pages, most in glorious colour!"
"Compared to some US imports that's great value."
"Anyway it's bi-monthly so it's not a lot every week."
"You're going to buy it aren't you?"
"Yeah just this issue then I'll see what it's like. If I don't like it I won't get any more!"
"Goodness you're just like a big kid, Go on then get it if you want."
"A big kid? Yep, I am! Seven forever!"
Artist: Pete Wood
Colourist: Dan Harris
Letterer: Rob Jones
The lead story, although all the other stories could possibly lay claim to being the lead, is a steampunk adventure strip that takes all the steampunk tropes, freshens them up with smart changes and drenches you in the face with them in the most glorious refreshing sense. I feel it would be lazy to say that this strip would fit perfectly in 2000AD or the Megazine, but it would and be very successful too. Major Rakhana is a Dan Dare inspired Victorian figure, who's a little more vicious than Victorian. I particularly enjoyed the roll reversals of racial and sexual stereotypes, with the Major's manservant Sanjay being a highlight. It's an excellent start and one that's got me hooked already.
Westernoir "Moon cursed: Part one"
Created By: Dave West and Gary Crutchley
Writer: Dave West and Jemma West
Artist: Joseph Parangue
Colour: Matt Soffe
Next up is a western with a werewolf story. Now hasn't that been done before? Well not that I can remember, but it should have been done because it's a great idea, as this strip shows. Again it feels like it could have taken place in the Cursed Earth of Judge Dredd's world, but the writers have taken the correct option and set it in the old wild west. Which makes a very compelling read. The characters feel real and well rounded out. The dialogue is really on point and the artwork creates a perfect noir feel, creating atmosphere and tension without the need of unnecessary gore and flashiness. The more we haven't yet seen the more you want to see. Again another story that I desperately want to see more of.
Memphis Chapter One
Writer: David Morris
Artist: David Morris
Letterer: David Morris
This future alternative world where Egypt under the Ptolemaic Dynasty continued to flourish into the year 4467 and became an empire where science, technology, art and Egyptian culture moved ever upwards, but in doing so left a vacuum for powerful ancient sects to also grow hinting at a second Age of Chaos. This story is very bright showing Egyptian culture, art and politics at its boldest, which must make you wonder why I've shown the opening page to highlight the artwork. Well all the artwork is splendid, but I particularly like this page that sets up a feeling of darkness coming. David Morris has done a fantastic job on this story and I must also say a stunning job on the cover too. It's what made me part with my hard earned money when I saw it on the WHSmith shelf. The dialogue is high drama perfect, I could hear each characters voice clearly like it was a Sunday night BBC drama, without any need of any unnecessary babble. I could use names like Arthur Ransom and Neil Gaiman to describe his artwork and writing but I won't because David Morris's work is brilliant without any need of comparison.
"Whatever happened to the world fastest man? Part one"
Writer: Dave West
Artist: Mareen Starkfield Lowe
Letterer: Andy Bloor
The forth story is a black and white reprint, but I can live with that as I grew up on Marvel black and white reprints. Don't tell the others but I think this charming strip could well be my favourite. At first I thought that it was going to be an urban comedy strip, which would be fine but to be honest I've seen them done a thousand times. This is more realistic, it shows grim reality with human nature at its worst and best. The artwork is beautiful and I'm very glad colour wasn't added, the shades of grey fill the pages with atmosphere. There's a mixture of photo realism and cartoon character in the pencil work. It's bloody gorgeous! The central character Bobby Doyle who can harness a power, that I won't go into details about here, opens decisions he has to make that will lead to consequences. A case of doing the right thing makes the person a hero. Dave West again makes the right choices in his writing that together with the artist shows who and what exactly this character is. I don't know if this was a last minute addition to the line up as Bobby Doyle doesn't make it to the cover, which I can understand the reasons for, Bobby is a little too normal and doesn't carry the razzmatazz as the other strips. For what it's worth this strip is anything but normal, it's an absolute cracker!
The Clockwork Cavalier
Writer: Steve Tanner
Artist: Ed Machiovello
Colourist: Dan Harris
Letterer: Bolt-01
The final strip is also a reprint by all accounts but this time it's been re coloured to what I imagine is to a great effect, as I haven't seen the original comic. I could be criticised as being late to the game but all these strips are really great. This strip feels like my least favourite, which does seem a little unfair as all the others are a high standard, but I do feel that it might quickly become my favourite when I've read more chapters. It's a lovely daff concept of a clockwork crime fighter in 18th century London with very witty dialogue. The two street urchins are adorable and the action is beautifully choreographed. Please don't impale me on a rapier blade when I say the artwork does remind me of John Byrne, in style alone. Yes I know that comparisons to bygone times lead to a one way journey to the past, while Quantum is quite rightly heading into a bright future.
There's some nice bits of text editorial inside and a couple of fun short strips in the style of Earth 33 1/3 that used to pepper Marvel UK comics back in the 80's. I'm not going to show you them here, buy the comic and see for yourself. It might be nice in future issue to use the text pieces to give background and profiles of the strips and the creators behind them.
It's all great but where is the big "BUT" bit coming? Well I liked the fact that it's bi-monthly to ease my spending but can I really wait two months for the next issue? Well the good news I hear from Quantum editor Steve Tanner on the Mega City Book Club podcast that if it becomes a success it may well go monthly, which would be great. I did also have a problem with getting the self-service till scanner at WHSmith to read the bar code! If that's the worst thing to say about this comic then Quantum has an interstellar future.
I love the fact that someone is trying to revitalise the high street newsagents and that more people can pick up comics without trips to major cities with their specialist shop or mail order which might not be everyones cup of tea. Now the average comic fan can impulse buy. All the stories feel very adult with out the need for big tits, gratuitous sex and violence and unnecessary swearing. You could take it into a pub, sit down with a pint and read it. Back in the 80's when I used to get 2000AD I always thought that if you got three great strips and two (may be one,) OK strips it was a worth while buy. Warrior was the same. When the Prog only had one or two greats or good strips out of five it was time to stop. Time Bomb Comics are really onto something here. Quantum seems to me to have five really great strips.
So the final question is will I be picking up issue two?
Dam right I will!
Totally agree! It's a great read, and something to look forward to.
ReplyDeleteAaron, I'm glad you agree, that helps justify my thinking about it.
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